Boosting music as an art and business
Ecad is the Central Collection and Distribution Office, a private, non-profit institution, responsible for collecting and distributing copyrights for public performance of music played throughout Brazil, whether national or foreign. Administered by seven music associations (Abramus, Amar, Assim, Sbacem, Sicam, Socinpro and UBC), Ecad is a world reference in the area in which it operates and forms with these companies the collective management of music in Brazil, which completed 45 years of existence in 2022.
We work as the link that connects composers, interpreters, musicians, editors and record producers to the channels and spaces where music plays in Brazil. Ecad is present throughout the country, combining efficient management and technology to unite the different parts of a complex production chain.
Brazil is one of few countries in the world where the collection and distribution of music copyrights rely on a single institution that centralizes this work on behalf of the associations that represent composers and artists. This is very representative for our institution and gives us the responsibility to expand and reinforce everyone’s awareness about copyright payments and the importance of licensing for the use of music in Brazil.
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Associação Brasileira de Música e ArtesIr para site
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Associação de Músicos, Arranjadores e RegentesIr para site
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Associação de Intérpretes e MúsicosIr para site
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Sociedade Brasileira de Autores, Compositores e Escritores de MúsicaIr para site
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Sociedade Independente de Compositores e Autores MusicaisIr para site
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Sociedade Brasileira de Administração e Proteção de Direitos IntelectuaisIr para site
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União Brasileira de CompositoresIr para site
Collection
The definition of the amount charged for copyright takes into account factors such as the place where the music is played, its importance for the business, the branch of economic activity, the type of musical use and socioeconomic region of the commercial establishment.
Distribution
Of the amounts collected, 85% are passed on to composers, performers, musicians and other holders. Another 6% stay with music associations. The remaining 9% is transferred to Ecad.
Technology
Constant investments in technological solutions and innovation guarantee even more agility and precision in the distribution of copyrights, with the use of state-of-the-art technology.
Brazilian music crosses borders and is recognized around the world
Therefore, our challenge is to carry out an increasingly effective work
In the last decade, there has been a growth in Brazil of more than 130% in the amounts distributed in copyright to music holders. This represents an important achievement for copyright. More than R$8.2 billion were distributed to 470 thousand authors and artists. This shows how the work of collective management has been strengthening the artistic class.
The number of composers and artists who have received their music copyright has also grown over the past decade, representing a 180% increase. This shows us that more people had their rights guaranteed, which confirms that our performance has been fundamental in the Brazilian music market.